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Wizard Presents is passionate about
telling stories for the whole family

About Us

Wizard Presents, founded in 1999, is led by John Miller and Danyah Miller who, together with a range of practitioners and associates, create inspiring and compelling family shows and musicals for all ages. Our solo family shows are performed by Danyah whilst John leads on all our musical productions.

Each year we offer a small number of performances to venues free of charge in order for us to reach families and children who would not otherwise have the opportunity or means to see high quality shows. Please contact us if you would like to discuss this.


Danyah Miller

Danyah Miller works internationally as a solo performer. She is also a storytelling trainer including being a course leader at The International School of Storytelling.

Danyah has managed theatres and produced a number of shows in the regions and in London’s West End.

She trained in drama, dance and English and later studied at Lecoq in Paris.

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John Miller

John is a writer and producer. He worked as a journalist before entering the music business as a record producer, artist manager and music publisher. He has produced music for film, theatre and television, and more than 30 albums, five of which have been certified gold.

John is co-writer of Only the Lonely: the Roy Orbison Story, for which he was nominated for an Olivier Award in 1996.

He and Pete Brooks devised and co-directed All You Need Is Love, the musical based on the songs of Lennon and McCartney, at the Queen’s Theatre in the West End.

Subsequently Pete and he wrote Soul Sister based on the life and times of Ike and Tina Turner. Soul Sister was nominated for an Olivier Award 2013 as Best New Musical.

Pete Brooks

Pete is a freelance writer, director and designer with a long history of working in the visual theatre arena. He is an Associate of the theatre company Imitating the Dog. He has directed in excess of forty highly successful and influential shows, for which he received countless commendations and critical acclaim.

He is also the Course Director, MA Performance, Design and Practice, at Central St Martins College of Art & Design.

Miranda Quinney

Miranda is passionate about the power of stories and storytelling.

She founded Sharing Stories for Wellbeing in 2014 , a therapeutic programme working with biographical storytelling endorsed by Hospice UK and the National Council for Palliative Care www.sharingstoriesforwellbeing.co.uk

Miranda has worked with Wizard Presents on a range of productions including I Believe in Unicorns and Perfectly Imperfect Women.

Nicole Keighley

Nicole is a freelance Stage Manager and Production Assistant. She studied English and Theatre Arts at Goldsmith’s College, University of London.

She has worked in Stage Management for over fourteen years on a wide range of productions for various venues throughout London including the Royal Court, the Almeida, the Old Vic, Young Vic, Tricycle, Southwark Playhouse, and numerous theatres in the West End for David Ian, David Pugh, Sonia Friedman and ACT Productions amongst others.

She is delighted to be working with Wizard Presents.

Matt Llewellyn Smith

Matt has worked as a freelance Stage Manager since graduating from Trinity College, Carmarthen in 2006.

He has stage managed over 80 productions from Shakespeare to circus and in a variety of venues; from village halls to the Royal Festival Hall. Matt first worked with Wizard Presents on I Believe in Unicorns and then became the only person who knew how to fit the Why the Whales Came set into the back of the van!

For Wizard Presents he has also worked on Perfectly Imperfect Women and Kika’s Birthday.


Family Arts Standards

We are signed up to Family Arts Standards

Organisations that are signed up to the Family Arts Standards value families and want to provide good family experiences.


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Get Involved

If you would like to support our work, to be ‘in on the act’ from the beginning then please contact us info@wizardpresents.co.uk to discuss options and projects currently available.

Like many producers we rely on a range methods to raise money from private investors; grant making bodies and corporate sponsorship, whilst always taking a risk ourselves.

We work on large commercial shows where we are supported by Investors to small scale work where we receive Arts Council England grants and raise money through other sources for example crowd-funding channels.

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